| LUIGI CONCONI (Milan 1852 - 1917) FIGURA FEMMINILE (Female figure) Etching; a fine impression of the second state of two, richly and skilfully printed with plate tone, on thick wove paper. The impression has been pulled inside a larger impression from a blank plate. Monogrammed 'LC' ' in the film of ink left in the plate in wiping. With large margins, in fine condition. To the platemark 99 x 66 mm, to the platemark of the blank impression 159 x 113 mm, the entire sheet measuring 464 x 329 mm. See M. Bianchi, G. Ginex, 'Luigi Conconi incisore', Milan, 1994; cat. no. 66. According Bianchi and Ginex, this print is a portrait of Conconi's wife, Eugenia Dal Co. Luigi Conconi was an architect, painter and illustrator. Born in a Milanese middle-class family, he was the nephew of the painter Mauro Conconi. Luigi studied architecture at the Accademia di Brera and at the Politecnico in Milan, and he used his architectural training occasionally throughout his career. Since his years at the Politecnico, he became acquainted with the literary and artistic circles of the Scapigliatura and Tranquillo Cremona and Daniele Ranzoni influenced his early paintings. In the 1880s Conconi moved from the Realism of Scapigliatura toward the Symbolism, developing an interest in visionary themes. He received the international recognition of prizes in Paris in 1900 and in Munich in 1913. Conconi was also a skilful and sensitive printmaker, who revived the art of the etching in Lombardy, being the leading exponent of the 'acquaforte monotipata', an etching printed with a large amount of ink left on the plate, creating evocative effects. Conconi printed personally almost all his own plates. |
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