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Giovanni Fattori, cavallo in attesa

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GIOVANNI FATTORI (Livorno 1825 - Florence 1908) CAVALLO IN ATTESA (Awaiting Horse)
Copper etching, Baboni-Malesci LXXXIV. A very good impression with light surface tone, printed during the Artist's lifetime on ivory wove paper. With wide margins, generally in very good condition. To the platemark 149 x 147 mm, the entire sheet measuring 445 x 320 mm. PROVENANCE: an Italian selective collection of Fattori etchings formed since the seventies.
A rare print, missing in the Rosselli collection at the GDSU, Florence, which only owns trimmed impressions of it; and also a celebrated print, reproduced on the dust-jacket of the monograph by Luigi Servolini '177 acqueforti di Giovanni Fattori' (1966).

Giovanni Fattori, possibly the most important painter of the nineteenth century in Italy, received his first instruction in drawing from a lesser painter of his native town. In 1846 Fattori moved to Florence to attend the Academy. During the 1850s Fattori joined the innovative artists, called 'Macchiaioli', who met at the Caffè Michelangelo in Florence and were champions of a new technique and style to contrast the conventional academic language. During those years, he still produced works that could be attributed to the historical-romantic school but his interest in studying from life also extended to landscape painting and the military life of the day became the subject of his first experiments in painting using the "macchia" technique. In 1867, after the death of his first wife, Fattori frequently stayed in the Maremma region which became the ideal backdrop for his works. Fattori began etching in the early 1880s, when he was nearly sixty; quite soon he was able to appreciate the difference of expression he could achieve using this new medium. A real ‘peintre-graveur’, he continued with etching his artistic research on light and essential shapes in reality.

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