final version of the caricature, as published on the 'Popolo d'Italia'
| MARIO SIRONI (Tempio Pausania, Sassari, 1885 - Milan 1961) A POLITICAL CARICATURE (1924) Black ink and watercolour; 175 x 251 mm. Signed 'SIRONI'. Inscribed in pen on a label pasted on the back of the mount 'opera che è servita / per la copertina / del "Popolo d'Italia" / per una edizione del 1923 / in occasione delle elezioni / politiche'. This caricature is, in fact, an earlier version for the one published on the journal 'Il Popolo d'Italia' on the 11th of April, 1924 (not 1923), a few days after the political elections of the 6th of April. See Fabio Benzi and Andrea Sironi, 'Sironi Illustratore, catalogo ragionato', Milan 1988; no. 634. The caricature mocks the political preferences of the newspapers 'Il Mondo' and 'Il Corriere della Sera'. Mario Sironi, painter, caricaturist, designer and muralist, was one of the most influential and technically skilled artist of 20th century in Italy. As a student he first specialized in mathematics and engineering, but then abandoned them for painting. Studying art in Rome he was involved in Futurism and Boccioni described him as an artist “who has embarked in a profound an highly original way on research into plastic dynamism”. After World War I, when he was attracted by metaphysical themes and imagery of the industrial world, his style embraced monumental and solid forms rendered in dark tones. Sironi was deeply involved in Fascism and he fashioned the regime’s image in both high and low art forms, from propaganda in the press to monumental mural projects. This identification with Fascism clouded critics’ assessment of his artwork for a long period. |
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