Mattia Jona La Portantina +39 02 8053315 mattjona@mattiajona.com


 
ARDENGO SOFFICI
(Rignano sull'Arno 1879 – Vittoria Apuana 1964)
PAESE (Landscape with Trees), 1957

Drypoint, Bartolini  LXIII. A rare proof that predates Prandi's published edition. The specimen, which shows strong evidence of the drypoint burrs, also predates a reduction of the plate by about 4 millimeters on the lower edge. See the comparison here. To the platemark 144 x 97 mm, the full sheet 300 x 205 mm.

Price: 1.050,00 €

Soffici was a highly versatile Italian figure known as a painter, writer, poet and sculptor. As a young man, he studied at the Academy of Fine Arts in Florence. He visited the Exposition Universelle in Paris in 1900 and remained in the French capital for seven years, where his circle of friends included Braque, Derain, Picasso, Gris and Apollinaire. After returning to Italy, Soffici contributed important and influential articles on French art to the cultural journal La Voce, including the first Italian essay to discuss the principles of Cubism. In 1910 he organized an Impressionist exhibition in Florence, devoting an entire room to the work of Medardo Rosso. Soffici later developed an enthusiasm for Futurism, exhibiting with the movement in 1913 and giving its art and theory prime coverage in Lacerba, the journal which he edited together with Giovanni Papini.  During his brief affiliation with the movement  Soffici also experimented with Futurism’s literary principles. However, his work eventually took a more conservative turn, focusing on Tuscan landscapes and themes, especially after the First World War and the rise of fascism.