a) Rich Man and Poor Lazarus; engraving, by Jan Sadeler I, Hollstein 199. Trimmed to the platemark, 238 x 299 mm. Watermark
b) The Christ at Emmaus; engraving, by Raphael Sadeler I, Hollstein 43. Trimmed to the platemark, 241 x 299 mm. Watermark
c) Christ in the house of Mary and Martha; engraving, by Jan Sadeler I, Hollstein 200. Trimmed to the platemark, 223 x 290 mm. Watermark

All three engravings are examples of the first state, before the Dankerts address.
Traditionally, these three prints have been grouped together, all three under the collective title of Sadeler's "Kitchen Scenes" (Nagler, 1845). However, while there are similarities, particularly in Bassano's compositional style, there are significant differences. "Christ in the House of Mary and Martha" (H.199) is slightly smaller than the other two and was made in Venice in 1598. Raphael's "Christ at Emmaus" (H.43) is dated 1593, and Jan's "The Rich Man and the Poor Lazarus" (H.200), although undated, is dedicated to the same person as "Christ at Emmaus"; therefore, it is likely that both were made in Munich.