Mattia Jona La Portantina +39 02 8053315 mattjona@mattiajona.com


 
GIOVANNI FATTORI
(Livorno 1825 - Florence 1908)
STRADINA AL SOLE, ante 1888

Copper etching. Baboni - Malesci CXCV An extremely rare print; the plate is lost. Five copies were known to date, one of which I sold last year.
https://www.mattiajona.com/schede.php?t=1&i=5eb24b86d8937c9075545d115e095766&c=fattori
The impression I am fortunate enough to present now had already been described by Andrea Baboni in his 1983 catalogue as present in a 1964 Prandi catalogue, but its current whereabouts were unknown. Of the six known examples, this is the only one printed in sepia ink. The impression is clear and sharp, pulled on thick paper; the Prandi mark bottom left corner. The dimensions at the plate-mark are 81 x 160 mm. The full sheet measures 125 x 188 mm.

I was fortunate enough to see and photograph three of the six known examples of this etching, so I feel compelled to propose a sequence of three states.

Price: 5.500,00 €

Giovanni Fattori, possibly the most important painter of the nineteenth century in Italy, received his first instruction in drawing from a lesser painter of his native town. In 1846 Fattori moved to Florence to attend the Academy. During the 1850s Fattori joined the innovative artists, called Macchiaioli, who met at the Caffè Michelangelo in Florence and were champions of a new technique and style to contrast the conventional academic language. During those years, he still produced works that could be attributed to the historical-romantic school but his interest in studying from life also extended to landscape painting and the military life of the day became the subject of his first experiments in painting using the macchia technique. In 1867, after the death of his first wife, Fattori frequently stayed in the Maremma region which became the ideal backdrop for his works. Fattori began etching in the early 1880s, when he was nearly sixty; quite soon he was able to appreciate the difference of expression he could achieve using this new medium. A real peintre-graveur, he continued with etching his artistic research on light and essential shapes in reality.