Copper etching, ante 1888, Baboni-Malesci XLIX. A fine impression in black ink on white wove paper, pulled during the Artist's lifetime, which shows, with great clarity, the lightly etched lines that form the background sky, which tend to disappear in later printings. The impression is wiped clean in the left foreground, but shows an area of rich surface tone on the right, over the waves. With large margins. Minimal toning in the margins, otherwise in very good condition. To the platemark 76 x 248 mm, the entire sheet measuring 188 x 340 mm.
This etching, which originally was on a single copper plate together with Sosta di Somari, has been certainly created before 1888, because an impression of it was in the group of 21 prints by Fattori purchased in September 1888 by the Italian State, now in the GNAM, Rome.
Giovanni Fattori, possibly the most important painter of the nineteenth century in Italy, received his first instruction in drawing from a lesser painter of his native town. In 1846 Fattori moved to Florence to attend the Academy. During the 1850s Fattori joined the innovative artists, called Macchiaioli, who met at the Caffè Michelangelo in Florence and were champions of a new technique and style to contrast the conventional academic language. During those years, he still produced works that could be attributed to the historical-romantic school but his interest in studying from life also extended to landscape painting and the military life of the day became the subject of his first experiments in painting using the macchia technique. In 1867, after the death of his first wife, Fattori frequently stayed in the Maremma region which became the ideal backdrop for his works. Fattori began etching in the early 1880s, when he was nearly sixty; quite soon he was able to appreciate the difference of expression he could achieve using this new medium. A real peintre-graveur, he continued with etching his artistic research on light and essential shapes in reality.