Pen and black ink, inscribed and signed L'amico Vinea / conciato per / le feste / Ximenes; 138 x 95 mm. The drawing is likely to be dated to the beginning of the eighties and demonstrates the friendship, in Florence, between Ximenes and Vinea.
Ximenes initially embarked on literary studies but then took up sculpture and attended the courses at the Palermo Academy of Fine Arts. After 1872, he continued training at the Naples Academy under Domenico Morelli and Stanislao Lista. He also established a close relationship with Vincenzo Gemito. He returned to Palermo in 1874 and won a competition for a four-year grant, which enabled him to study and open a studio for sculpture in Florence. He exhibited work in 1878 in Paris, where he came into contact with Auguste Rodin and Jean-Baptiste Carpeaux. On returning to Italy, he established his place on the art scene with a broad repertoire of portraits, genre works and funerary statuary, in which his initial realism gave way to Symbolist and Neo-Renaissance elements. In addition to sculpture, he also produced illustrations for the works of Edmondo De Amicis published by Treves. Ximenes was involved in all the major official monumental projects in Italy from the 1880s on and devoted his energies as from 1911 primarily to commissions for important public works in São Paulo, Kiev, New York and Buenos Aires.