Mattia Jona La Portantina +39 02 8053315

(VOLOS 1888 ROMA 1978)

Litograph, Brandani n. 147. Pulled on Japanese paper. Numbered and signed in pencil 58/95 G. De Chirico.  The edition was of 95 numbered from 1/95 to 95/95, 30 numbered from  I/XXX  to XXX/XXX and 12 artist’s proofs. With the blind marks of the Roman printer Alberto Caprini and of the artist. With full margins, in very good condition. The printed area 355 x 300 mm, the full sheet measuring 770 x 570 mm.


Giorgio de Chirico was born in Greece, to Italian parents. He received his first drawing lessons at the Polytechnic Institute in Athens in 1900. In 1906, the family moved to Munich, where de Chirico attended the Academy of Fine Arts, becoming acquainted with the magic realism of Swiss-German painter Arnold Böcklin and the writings of Friedrich Nietzsche. At various important junctures in his career de Chirico lived in Paris (1911–15, 1925–32), as well as in the United States (1936–38), but he spent most of his life in Italy. In Ferrara in 1917 he met the artist Carlo Carrà, with whom he developed the concept of Pittura Metafisica and began producing dreamlike images of deserted cities and still scenes with mysterious mannequins made from combinations of objects. These pictures of a restless dream world evoke the heightened perception of the subconscious and are the direct antecedents of the Surrealism of the 1920s. In 1926, however de Chirico changed to a more classical style with traditional subject matter. It was not until 1955-1960 that he openly went back to creating art with Metaphysical subject matter.