Colour lithograph (ocher, green, brown, black) 1952, Meloni-Tavola 132. The lithograph was conceived for the set Campigli La Ruche, Published by N.R.F. in Paris, 1952, printed by il Cavallino, Venice.
Numbered, signed and dated in pencil 83/125 CAMPIGLI '52. Fine impression on wove Fabriano paper, in very good condition. The lithographic area 470 x 340 mm.
PROVENANCE: Luigi Tavola
After military service during World War I, Campigli moved to Paris in 1919. In Paris he worked for nine years as a journalist for Il Corriere della Sera, during which time he began to paint. Self-taught as a painter, he was initially drawn to Purism, Léger, the neoclassicizing works of Picasso and Metaphysical painting. Campigli also admired the preclassical works in the Louvre, but it was only in 1928, when he saw the Etruscan collection at the Villa Giulia in Rome, that he was profoundly affected by ancient art. His love of archaism and of hieratic and abstract form led him to find sources in Cretan, Pompeian and Coptic as well as Etruscan art. Campigli very rapidly won acclaim, and had exhibitions in Rome, New-York, Venice and Paris. He settled in Saint Tropez in 1949; the Palazzo Reale in Milan held a big retrospective show of his work in 1967. Campigli always showed interest in prints, mainly lithography.