Colour lithograph, 1957, Meloni-Tavola 164. Numbered, signed and dated in pencil 65/175 CAMPIGLI '57. Fine impression on RIVES paper, published by l'Oeuvre Gravée, Paris, their blind mark at bottom left. Paper light yellowed at the edges of margins, otherwise in good condition. The lithographic area 560 x 385 mm, the sheet measuring 650 x 475 mm.
After military service during World War I, Campigli moved to Paris in 1919. In Paris he worked for nine years as a journalist for Il Corriere della Sera, during which time he began to paint. Self-taught as a painter, he was initially drawn to Purism, Léger, the neoclassicizing works of Picasso and Metaphysical painting. Campigli also admired the preclassical works in the Louvre, but it was only in 1928, when he saw the Etruscan collection at the Villa Giulia in Rome, that he was profoundly affected by ancient art. His love of archaism and of hieratic and abstract form led him to find sources in Cretan, Pompeian and Coptic as well as Etruscan art. Campigli very rapidly won acclaim, and had exhibitions in Rome, New-York, Venice and Paris. He settled in Saint Tropez in 1949; the Palazzo Reale in Milan held a big retrospective show of his work in 1967. Campigli always showed interest in prints, mainly lithography.